
plate no. 1637
This painting provides a good opportunity to practice capturing figures in a scene with limited detail and to explore a muted, earthy color palette. Students can learn to create depth and form using subtle value changes and visible brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and composition, paying attention to the placement of the figures and the building.
Block in the main color areas using thin washes of color, focusing on the overall value structure.
Start building up layers of paint, adding more detail and texture to the figures and background.
Use visible brushstrokes to create a sense of movement and energy.
Refine the details of the faces and clothing, paying attention to the light and shadow.
Add highlights and shadows to create depth and dimension.
Adjust the colors and values as needed to create a cohesive and harmonious painting.
Add final details and touch-ups.
color palette
primary · raw umber · burnt sienna · ivory black
secondary · titanium white · ultramarine blue · cadmium red light
Mix raw umber and ivory black for the dark tones. Use white to lighten the colors and create subtle value changes. Mix small amounts of red and blue into the browns to create interesting variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned canvas to create a more unified color scheme.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor