
plate no. 8328
Joshua Johnson, 1810
This painting offers practice in portraiture, focusing on simplified forms and textures. Students will learn to mix skin tones and render basic shapes with limited blending.
technical profile
approach — 8 steps
Sketch the basic shapes of the figure, sofa, and table, paying attention to proportions.
Block in the background with a muted gray-brown tone.
Establish the main color blocks for the dress, sofa, and skin tones.
Begin layering skin tones, focusing on highlights and shadows.
Add details to the dress, including the collar, cuffs, and jewelry.
Paint the still life elements on the table, such as the glass and cherries.
Refine the details of the face, including the eyes, nose, and mouth.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · titanium white · burnt sienna
secondary · cadmium red · yellow ochre · raw umber
Skin tones can be achieved by mixing white, burnt sienna, and a touch of yellow ochre. The dress is primarily black with subtle variations created by mixing in raw umber and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for a slightly textured effect. Consider using a limited palette to simplify the color mixing process.
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