apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old Corn Mill, Keighley
Old Corn Mill, Keighley by John Bradley

plate no. 0436

Old Corn Mill, Keighley

John Bradley

oilNaïve Art (Primitivism)cityscapebuildingsbridgeriverfiguressnowsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and understanding how to simplify complex scenes into basic shapes. It also provides practice in rendering textures like brick and snow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, bridge, and river, focusing on proportions and perspective.

  2. step 02

    Block in the sky with a base layer of muted blues and grays, creating a sense of depth and atmosphere.

  3. step 03

    Establish the main values of the buildings and bridge, using darker tones for shadows and lighter tones for highlights.

  4. step 04

    Add details to the buildings, such as windows, doors, and brick textures, using a fine brush.

  5. step 05

    Paint the river and waterfall, capturing the movement and reflections of light.

  6. step 06

    Add the snow on the buildings and ground, using white and light gray tones.

  7. step 07

    Paint the figures in the foreground, paying attention to their poses and clothing.

  8. step 08

    Refine the details and add any finishing touches, such as the bare tree and reflections in the water.

color palette

primary · gray · white · brown · blue

secondary · ochre · black · umber

Mix grays by combining white, black, and a touch of blue or brown. Achieve the brick color by mixing brown, ochre, and a hint of red. Create snow highlights with white and a touch of blue.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Getting the perspective wrong on the buildings and bridge.
  • →Overworking the details and losing the simplicity of the scene.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags or paper towels

optional

  • ·Medium (for oil paints)
  • ·Easel
  • ·Reference photo print

Use a canvas with a smooth surface for easier blending. Acrylics are more forgiving for beginners, while oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden

Portrait Of Christian Brinton

Portrait Of Christian Brinton

Horace Pippin