
plate no. 5878
Marie Laurencin, 1940
Recreating this painting will help students develop skills in color mixing to achieve subtle skin tones and practice simplified figure drawing with attention to proportions. It also encourages exploring a limited color palette to create a harmonious composition.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figure, guitar, and background.
Block in the main areas of color: skin, dress, hair, and background.
Refine the skin tones by layering and blending subtle variations of pink, blue, and white.
Add details to the dress, focusing on the folds and shadows.
Paint the guitar with simplified shapes and colors, paying attention to the highlights.
Develop the background with soft, blended brushstrokes to create depth.
Add details like the flower in the hair and the facial features.
Review and adjust colors and values to achieve a cohesive overall look.
color palette
primary · ultramarine blue · titanium white · yellow ochre
secondary · alizarin crimson · raw umber · sap green
Achieve the skin tones by mixing white with small amounts of blue, red, and yellow ochre. The background is a mix of white, blue, and green. Use raw umber to darken the blues and create shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Acrylics will dry faster, while oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor