
plate no. 1442
Balthus, 1957
Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create subtle variations in tone and temperature. It also provides practice in depicting a figure within a landscape setting.
technical profile
approach — 7 steps
Sketch the basic composition, focusing on the placement of the figure, window frame, and landscape elements.
Block in the main areas of color, starting with the sky and the overall tones of the landscape.
Develop the details of the tree, using broken brushstrokes to suggest the foliage.
Refine the figure, paying attention to the subtle shifts in color and value to create form.
Add details to the window frame, capturing the light and shadow.
Work on the background buildings, using lighter tones and less detail to create depth.
Adjust the overall color balance and add final details to unify the painting.
color palette
primary · titanium white · raw umber · ultramarine blue · yellow ochre
secondary · burnt sienna · sap green · ivory black
Achieve the muted tones by mixing the primary colors with white and small amounts of raw umber or burnt sienna. Use ultramarine blue and yellow ochre to create a range of greens for the foliage.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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