apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young Girl at the Window
Young Girl at the Window by Balthus

plate no. 1442

Young Girl at the Window

Balthus, 1957

oil, canvasExpressionismgenre paintingfigurewindowtreelandscapebuildinggarden
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create subtle variations in tone and temperature. It also provides practice in depicting a figure within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window frame, and landscape elements.

  2. step 02

    Block in the main areas of color, starting with the sky and the overall tones of the landscape.

  3. step 03

    Develop the details of the tree, using broken brushstrokes to suggest the foliage.

  4. step 04

    Refine the figure, paying attention to the subtle shifts in color and value to create form.

  5. step 05

    Add details to the window frame, capturing the light and shadow.

  6. step 06

    Work on the background buildings, using lighter tones and less detail to create depth.

  7. step 07

    Adjust the overall color balance and add final details to unify the painting.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · sap green · ivory black

Achieve the muted tones by mixing the primary colors with white and small amounts of raw umber or burnt sienna. Use ultramarine blue and yellow ochre to create a range of greens for the foliage.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, which can detract from the overall mood.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, raw umber, ultramarine blue, yellow ochre, burnt sienna, sap green, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor