
plate no. 4831
Chaim Soutine, 1937
Recreating this painting will help students understand expressive brushwork and how to use color to define form rather than relying on precise outlines. It also offers practice in capturing a likeness with simplified shapes and bold strokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.
Block in the background with a thin layer of blue paint.
Establish the main areas of light and shadow on the face using a limited palette of warm and cool tones.
Begin building up the hair with dark browns and blacks, using short, directional brushstrokes.
Refine the facial features, paying attention to the angles and planes of the face.
Add highlights to the face and hair to create depth and dimension.
Define the clothing with dark, bold strokes, suggesting form without over-detailing.
Add final touches and adjust colors as needed to achieve the desired expressive effect.
color palette
primary · ultramarine blue · yellow ochre · burnt sienna · ivory black
secondary · titanium white · cadmium red light
Mix yellow ochre and burnt sienna for the warm skin tones, adding small amounts of red for the cheeks. Use white to lighten the blues for the background and to create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a slightly textured canvas to enhance the impasto effect.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor