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home·artworks·Yellowstone Canyon
Yellowstone Canyon by Louis Comfort Tiffany

plate no. 3213

Yellowstone Canyon

Louis Comfort Tiffany, 1917

oilPost-Impressionismlandscapecanyoncliffstreeslandscaperocksvegetation
some experience helpful

Recreating this painting will help students develop skills in layering washes to create depth and texture, and in simplifying complex geological forms into manageable shapes. It also provides practice in creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the canyon walls, cliffs, and trees.

  2. step 02

    Apply a thin wash of diluted raw umber or burnt sienna to the entire canvas as an underpainting.

  3. step 03

    Begin layering washes of color to establish the basic values and forms of the canyon walls, starting with the lightest areas.

  4. step 04

    Gradually build up darker values in the shadows and crevices, using a mix of burnt umber, ultramarine blue, and a touch of black.

  5. step 05

    Paint the trees using a dark green mix, varying the tones to create depth and dimension.

  6. step 06

    Add details to the rocks and cliffs using dry brush techniques to create texture.

  7. step 07

    Glaze with thin washes to unify the colors and create atmospheric perspective.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · black

Achieve the muted earth tones by mixing the primary colors with small amounts of secondary colors. Use white to lighten values and create highlights.

techniques

  • ·layering washes
  • ·dry brush
  • ·glazing
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not muted enough.
  • →Failing to establish a strong value structure.
  • →Making the trees too uniform and lacking variation.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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