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home·artworks·Grand bouquet of mimosa
Grand bouquet of mimosa by Moise Kisling

plate no. 0701

Grand bouquet of mimosa

Moise Kisling, 1942

oil, canvasPost-Impressionismflower paintingflowersbouquetvasetablestill lifemimosa
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex forms into manageable shapes. It also provides practice in color mixing to achieve subtle variations within a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, table, and overall form of the bouquet.

  2. step 02

    Establish the background colors with broad, blended strokes.

  3. step 03

    Block in the main color masses of the flowers, focusing on the overall shape and distribution.

  4. step 04

    Begin layering different shades of yellow and green to create depth and texture in the flowers.

  5. step 05

    Add details to the vase and table, paying attention to highlights and shadows.

  6. step 06

    Refine the edges of the bouquet and add smaller details to individual flowers.

  7. step 07

    Adjust the overall color balance and value contrast to match the original painting.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · cadmium yellow · sap green

secondary · ultramarine blue · burnt umber · titanium white

Mix various shades of yellow by combining yellow ochre and cadmium yellow with small amounts of white or green. Achieve the green hues by mixing sap green with yellow and a touch of blue. Use burnt umber and ultramarine blue to create the darker background tones.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating a flat, uniform color in the flowers without sufficient variation.
  • →Failing to establish a clear value structure.
  • →Getting lost in the details and losing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, cadmium yellow, sap green, ultramarine blue, burnt umber, titanium white)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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