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Yellow Chair by John Miller

plate no. 5540

Yellow Chair

John Miller

oilContemporary Realisminteriorinteriorwindowchairseaskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in white and capturing the texture of different surfaces with visible brushstrokes. Students will also learn about perspective and composition through the depiction of the interior space and the view through the window.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the chair, window, and horizon line.

  2. step 02

    Block in the large areas of color: the white wall, the blue sky, the sea, and the floor.

  3. step 03

    Add the window frame and shutters, paying attention to their perspective and color.

  4. step 04

    Paint the chair, focusing on its structure and the texture of the seat.

  5. step 05

    Develop the details of the sea, sky, and distant mountains.

  6. step 06

    Add texture to the wall using visible brushstrokes and subtle color variations.

  7. step 07

    Refine the details and adjust the colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt sienna

secondary · cadmium yellow · raw umber · alizarin crimson

Mix different shades of white by adding small amounts of yellow ochre, raw umber, or ultramarine blue. Create the sea color by mixing ultramarine blue with a touch of yellow and white. Achieve the terracotta floor color by mixing burnt sienna with a touch of alizarin crimson and raw umber.

techniques

  • ·dry brush texture
  • ·color mixing
  • ·blocking in
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the texture of the wall.
  • →Ignoring the subtle color variations in the white wall.
  • →Incorrect perspective of the window and chair.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a canvas with a medium texture to help capture the brushstrokes. Consider using a fast-drying medium to speed up the drying time.

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