apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fifth Ave
Fifth Ave by Pietropoli Patrick

plate no. 7463

Fifth Ave

Pietropoli Patrick

oil, linenContemporary Realismcityscapebuildingscityscapereflectionsstreetpeoplearchitecture
some experience helpful

This painting offers practice in rendering complex reflections and creating depth through atmospheric perspective. Recreating this painting will help students develop skills in tonal painting and capturing urban scenes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the large areas of value, focusing on the reflections in the glass building.

  4. step 04

    Refine the shapes and details of the buildings, paying attention to the distorted reflections.

  5. step 05

    Add the figures and street details, keeping them loose and suggestive.

  6. step 06

    Develop the atmospheric perspective by softening edges and lightening values in the distance.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the reflections.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing raw umber and white, adjusting with small amounts of black, yellow ochre, or burnt sienna for subtle variations. Use thin glazes of these colors to create depth and luminosity in the reflections.

techniques

  • ·tonal painting
  • ·glazing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Getting lost in the details of the reflections too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the loose, suggestive quality.
  • →Ignoring atmospheric perspective, which flattens the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for a good balance between texture and detail. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney

Kent House

Kent House

Jamie Wyeth