
plate no. 5444
Fu Baoshi, 1964
This painting is great for practicing layering and creating atmospheric perspective using washes. Students will learn to control the amount of water in their brush to achieve different values and textures.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the mountains and the pagoda.
Begin with a very diluted wash of gray to establish the sky and distant mountains.
Add a light wash of reddish-brown to the foreground mountain, leaving some areas untouched for highlights.
Layer darker washes of gray to create depth and shadows in the mountains.
Use a drier brush with dark gray to add details to the trees in the foreground.
Paint the pagoda with a thin brush, using a slightly darker shade of the reddish-brown.
Add details to the trees and foliage with short, quick brushstrokes.
Refine the details and add any final touches, such as subtle highlights.
color palette
primary · gray · reddish-brown · white
secondary · dark gray · light gray
Mix gray by diluting black ink with water. Vary the amount of water to achieve different shades. Mix reddish-brown by combining a red pigment with a touch of brown.
techniques
common pitfalls
surface · Watercolor paper
required
optional
Use a high-quality watercolor paper that can withstand multiple washes. Experiment with different types of Chinese painting brushes to find the ones that work best for you.
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