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Working the field by Constant Permeke

plate no. 8846

Working the field

Constant Permeke

oilExpressionismlandscapebuildingslandscapeskyfieldhousesmoon
some experience helpful

Recreating this painting will help students develop skills in layering paint with visible brushstrokes and simplifying complex scenes into basic shapes. It also encourages exploration of color mixing to achieve a muted, earthy palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, field, and sky with light pencil lines.

  2. step 02

    Block in the large areas of color using thinned paint, focusing on the overall value structure.

  3. step 03

    Begin layering thicker paint to define the shapes and add texture with visible brushstrokes.

  4. step 04

    Mix and apply variations of green for the field, using different values to create depth.

  5. step 05

    Add details to the buildings, such as the roofs and windows, using darker tones.

  6. step 06

    Create the sky with a blend of dark blues and greens, leaving a lighter area for the moon.

  7. step 07

    Refine the edges and add final touches to the composition, adjusting values and colors as needed.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · dark green · burnt sienna · ultramarine blue

secondary · yellow ochre · titanium white · raw umber

Mix greens by blending ultramarine blue and yellow ochre. Achieve earthy tones by mixing burnt sienna with raw umber and a touch of blue. Use white sparingly to lighten colors, maintaining a muted palette.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the forms.
  • →Creating colors that are too bright and not in harmony with the overall palette.
  • →Not paying attention to the value structure and creating a flat, uninteresting composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (dark green, burnt sienna, ultramarine blue, yellow ochre, titanium white, raw umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas to enhance the texture of the brushstrokes. Consider using a limited palette to simplify color mixing and create a more harmonious painting.

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oil painting for beginners →how to learn by studying the masters →
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