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home·artworks·Wood with Beech Trees
Wood with Beech Trees by Piet Mondrian

plate no. 7149

Wood with Beech Trees

Piet Mondrian, 1899

gouache, watercolor, paperPost-Impressionismlandscapetreesforestlandscapepathleaveswoods
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using a limited palette to achieve harmony. It also provides practice in depicting the illusion of space through perspective and atmospheric effects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the trees and the path.

  2. step 02

    Establish the background by applying a thin wash of blue and grey to suggest the sky and distant trees.

  3. step 03

    Begin layering the colors for the forest floor, using a mix of browns, oranges, and yellows to represent the fallen leaves.

  4. step 04

    Paint the tree trunks, starting with a base layer of green and adding shadows and highlights to create form.

  5. step 05

    Add details to the path, using lighter tones to suggest sunlight and darker tones for shadows.

  6. step 06

    Refine the foliage by adding small details and variations in color.

  7. step 07

    Pay attention to the overall color harmony and adjust the tones as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · yellow ochre · sap green · titanium white

secondary · cadmium orange · ultramarine blue · raw sienna

Achieve the earthy tones by mixing burnt umber with yellow ochre and white. Create the greens by combining sap green with yellow ochre and a touch of blue. Use white to lighten the colors and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying attention to the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·water container
  • ·paper towels

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Acrylic paints can be thinned with water to achieve a watercolor-like effect.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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