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home·artworks·Woman with White Coat
Woman with White Coat by Amedeo Modigliani

plate no. 4244

Woman with White Coat

Amedeo Modigliani, 1917

oil, canvasExpressionismportraitportraitwomanfigurehairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and capturing a likeness with simplified forms. It will also encourage experimentation with visible brushstrokes and expressive mark-making.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the elongated neck and facial features.

  2. step 02

    Block in the background with a dark, warm brown, leaving some areas lighter to create depth.

  3. step 03

    Apply a base layer of flesh tones to the face, neck, and hands, using a mix of orange, yellow, and white.

  4. step 04

    Add shadows and highlights to the face and neck, using darker and lighter shades of the flesh tones.

  5. step 05

    Paint the hair with a mix of brown and black, using loose, expressive brushstrokes.

  6. step 06

    Block in the white coat with a mix of white, yellow, and a touch of blue.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth, using thin lines and subtle shading.

  8. step 08

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and expressive portrait.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium orange

secondary · ultramarine blue · ivory black

Mix flesh tones by combining yellow ochre, cadmium orange, and titanium white. Use burnt umber and ivory black for the background and hair. Add a touch of ultramarine blue to the white coat for subtle shadows.

techniques

  • ·simplified forms
  • ·expressive brushstrokes
  • ·color mixing
  • ·portraiture
  • ·layering

common pitfalls

  • →overworking the details
  • →getting the proportions wrong
  • →using too many colors
  • →not capturing the likeness

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·easel
  • ·medium gloss

Use a medium-grain canvas for best results. Oil paints can be thinned with turpentine for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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