apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Woman with Cherries on Her Hat
Woman with Cherries on Her Hat by Kees van Dongen

plate no. 9566

Woman with Cherries on Her Hat

Kees van Dongen, 1905

oilFauvismportraitportraitwomanhatcherriesfigureclothing
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing a likeness with simplified forms and bold color choices. It also provides practice in mixing skin tones and creating a sense of depth with limited value range.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hat, and shoulders.

  2. step 02

    Block in the background with a thin layer of blue and gray.

  3. step 03

    Establish the main areas of color for the skin, hair, and hat using broad strokes.

  4. step 04

    Refine the facial features, paying attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Add the details of the hat, including the cherries and the dark band.

  6. step 06

    Develop the texture of the clothing with short, broken brushstrokes.

  7. step 07

    Adjust the values and colors to create a sense of depth and form.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ultramarine blue · burnt umber · cadmium red

secondary · yellow ochre · ivory black · sap green

Mix skin tones by blending white, burnt umber, and a touch of red. Achieve the hat color by mixing burnt umber with yellow ochre and a touch of red. Use ultramarine blue and white for the background, adding a touch of black for darker areas.

techniques

  • ·broken color
  • ·alla prima
  • ·expressive brushwork
  • ·color mixing
  • ·simplified forms

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Failing to capture the likeness of the subject.
  • →Using muddy colors.
  • →Not varying the brushstrokes enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·#6 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-sized canvas (e.g., 16x20 inches). Consider using a toned canvas to make the colors pop.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse