
plate no. 6221
Chaim Soutine, 1929
Recreating this painting will help students develop skills in expressive brushwork and capturing a likeness with simplified forms and limited color palette. It also provides practice in creating depth and form using value and color temperature changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.
Block in the background with a dark blue, varying the tone slightly to create depth.
Establish the main areas of light and shadow on the face and neck using a limited palette of yellows, oranges, and reds.
Paint the clothing with a dark, neutral color, adding subtle variations in tone and texture.
Refine the features of the face, paying attention to the eyes, nose, and mouth.
Add details to the hands, simplifying the forms and focusing on the overall gesture.
Use expressive brushstrokes to create texture and movement throughout the painting.
Adjust the values and colors as needed to create a cohesive and expressive portrait.
color palette
primary · ultramarine blue · yellow ochre · ivory black
secondary · cadmium red light · burnt umber
Mix various shades of blue for the background by adding black or white. Create skin tones by mixing yellow ochre, cadmium red, and a touch of blue. Use burnt umber to darken the blacks and create shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for a textured surface. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor