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home·artworks·Woman in Profile
Woman in Profile by Richard Diebenkorn

plate no. 3881

Woman in Profile

Richard Diebenkorn, 1958

oil, canvasExpressionismportraitfigureinteriorwindowlandscapetablechair
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using expressive brushstrokes to convey form and light. It also provides practice in color mixing to achieve subtle variations in tone.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the large shapes of the figure, window, and landscape.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and landscape.

  3. step 03

    Establish the darks of the figure and window frame, paying attention to the shapes of the shadows.

  4. step 04

    Develop the mid-tones and highlights in the figure and interior, using thicker paint and visible brushstrokes.

  5. step 05

    Add details to the landscape, simplifying the forms and focusing on the overall color harmony.

  6. step 06

    Refine the edges and shapes of the figure and window frame, creating a sense of depth and dimension.

  7. step 07

    Add final touches and highlights to the painting, paying attention to the overall balance and harmony.

  8. step 08

    Allow to dry and varnish.

color palette

primary · ultramarine blue · raw umber · titanium white · cadmium red

secondary · yellow ochre · viridian green · purple

Mix various shades of blue and brown with white to create the muted tones of the figure and interior. Use red and green to create the landscape colors, and yellow ochre to warm the highlights.

techniques

  • ·blocking in
  • ·dry brushing
  • ·color mixing
  • ·simplification
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the overall simplicity of the painting.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Not capturing the expressive quality of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·selection of brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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