apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Woman in a wheelchair
Woman in a wheelchair by Louis Valtat

plate no. 4347

Woman in a wheelchair

Louis Valtat, 1903

oil, canvasFauvismportraitportraitwomanchairinteriorcatflowers
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. Students will also learn to capture the likeness of a subject using simplified forms and expressive color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the woman, chair, and surrounding elements.

  2. step 02

    Block in the main color areas with thin washes of paint, focusing on the overall color harmony.

  3. step 03

    Begin layering thicker paint strokes to build up texture and define forms.

  4. step 04

    Pay attention to the direction of brushstrokes to create a sense of movement and volume.

  5. step 05

    Mix and apply subtle color variations to add depth and interest to the painting.

  6. step 06

    Refine the details of the face, hair, and clothing, using small, precise brushstrokes.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the subject.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · cadmium red · viridian · ultramarine blue

Mix yellow ochre and raw umber with white to create the various skin tones and background colors. Use small amounts of cadmium red to add warmth to the skin and lips. Mix viridian and ultramarine blue to create the darker tones in the clothing and shadows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a stiff, unnatural effect.
  • →Failing to capture the likeness of the subject.
  • →Not paying attention to the overall color harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for good paint adhesion and texture. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse

Pine Trees on Kerkyra

Pine Trees on Kerkyra

Konstantinos Parthenis