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home·artworks·Winter Still Life
Winter Still Life by William Scott

plate no. 0101

Winter Still Life

William Scott, 1956

oilExpressionismstill lifestill lifekitchenwaretabletopladlebowlutensils
some experience helpful

Recreating this painting will help students practice simplifying forms and using a limited color palette to create a cohesive and expressive still life. It also encourages experimentation with visible brushstrokes to add texture and visual interest.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the canvas.

  2. step 02

    Block in the background with the lightest value of the blue-grey.

  3. step 03

    Establish the dark tabletop using a darker blue-grey mixture.

  4. step 04

    Begin filling in the shapes of the objects with their respective values, focusing on the overall form rather than details.

  5. step 05

    Use thicker paint and visible brushstrokes to define the edges and add texture to the objects.

  6. step 06

    Add subtle highlights and shadows to create depth and dimension.

  7. step 07

    Refine the shapes and adjust the values as needed to achieve a balanced composition.

  8. step 08

    Add final details, such as the lines on the bucket and the reflections on the tabletop.

color palette

primary · ultramarine blue · titanium white

secondary · ivory black

Mix varying proportions of ultramarine blue, titanium white, and a touch of ivory black to achieve the different shades of blue-grey. Use more white for the background and highlights, and more black for the tabletop and shadows.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·simplification of form

common pitfalls

  • →Overworking the painting and losing the expressive brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Not paying attention to the value relationships between the objects and the background.
  • →Using too many colors and creating a muddy or incoherent palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·palette
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) to allow for expressive brushstrokes. Consider using a fast-drying medium to speed up the drying time.

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