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home·artworks·Winter Landscape, Cornwall
Winter Landscape, Cornwall by Matthew Smith

plate no. 0373

Winter Landscape, Cornwall

Matthew Smith, 1920

oilFauvismlandscapelandscapetreesbuildingsfencefoliagenight
some experience helpful

Recreating this painting will help students develop skills in expressive color mixing and applying bold, visible brushstrokes to create texture and form. It also provides practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and landscape, focusing on composition.

  2. step 02

    Block in the large areas of color, starting with the darkest areas of the sky and ground.

  3. step 03

    Add the red hues to the trees and buildings, varying the intensity and saturation.

  4. step 04

    Define the shapes of the trees and foliage with visible brushstrokes, using a mix of greens and blues.

  5. step 05

    Add details to the buildings, such as windows and doors, using contrasting colors.

  6. step 06

    Create texture in the foreground with short, broken brushstrokes.

  7. step 07

    Refine the edges and details, paying attention to the overall balance of color and value.

  8. step 08

    Add final highlights and shadows to enhance the depth and dimension.

color palette

primary · ultramarine blue · cadmium red · sap green

secondary · yellow ochre · burnt umber · titanium white

Mix ultramarine blue and burnt umber for the dark sky and shadows. Use cadmium red and yellow ochre to create the vibrant red hues. Mix sap green with ultramarine blue and yellow ochre for the foliage.

techniques

  • ·alla prima
  • ·broken color
  • ·impasto
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing them.
  • →Failing to establish a strong value structure.
  • →Getting bogged down in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette knife
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·palette knife

Use high-quality paints for best results. Consider using a medium to adjust the consistency and drying time of the paints.

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related guides

oil painting for beginners →how to learn by studying the masters →
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