apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter auf der Oschwand
Winter auf der Oschwand by Cuno Amiet

plate no. 8707

Winter auf der Oschwand

Cuno Amiet, 1908

oilExpressionismlandscapelandscapesnowbuildingtreesskywinter
some experience helpful

This painting offers a great opportunity to practice simplifying complex scenes into basic shapes and using expressive brushstrokes to convey texture. Students will learn to mix colors to create a sense of light and shadow in a winter landscape.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, trees, and snow-covered ground.

  2. step 02

    Block in the sky with a flat layer of blue, varying the tone slightly.

  3. step 03

    Apply a base layer of yellow-white to the snow, leaving areas for shadows.

  4. step 04

    Paint the building's roof and walls using a mix of yellow and brown, adding darker tones for shadows.

  5. step 05

    Add the tree branches with bold strokes of yellow and orange.

  6. step 06

    Introduce pink and purple hues to the snow and trees to create depth and interest.

  7. step 07

    Define the shadows with darker blues and purples, using thick, visible brushstrokes.

  8. step 08

    Add final details and highlights to enhance the texture and form.

color palette

primary · sky blue · yellow · white

secondary · brown · purple · pink · orange

Mix white with yellow and a touch of blue to create the snow color. Use blue and purple to create the shadows on the snow. Mix yellow and brown for the building and trees.

techniques

  • ·impasto
  • ·broken color
  • ·color mixing
  • ·expressive brushwork
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Using too much detail in the snow, making it look flat.
  • →Not varying the colors enough, resulting in a monotonous painting.
  • →Making the shadows too dark and overpowering the light areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use thick paint to create texture and visible brushstrokes. Consider using a palette knife for applying paint to the snow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor