
plate no. 5611
Graham Sutherland, 1954
Recreating this painting will help students develop skills in loose brushwork, color mixing for skin tones, and capturing likeness with minimal detail. It also encourages expressive mark-making and understanding of value relationships.
technical profile
approach — 8 steps
Lightly sketch the basic head shape and features using a pencil or thin brush with diluted paint.
Block in the large areas of color: the yellow background, the overall skin tone, and the darker areas of the face.
Start building up the skin tones with layers of thin washes, focusing on the subtle shifts in color and value.
Use bolder brushstrokes to define the features and add texture to the face.
Introduce the darker accents around the eyes, nose, and mouth to create depth.
Add the handwritten color notes using a fine brush and dark paint.
Refine the edges and details, paying attention to the overall balance of the painting.
Add final touches and highlights to enhance the form and create a sense of light.
color palette
primary · yellow ochre · titanium white · burnt umber
secondary · cadmium red · raw sienna · ivory black
Achieve skin tones by mixing white, yellow ochre, and small amounts of red and umber. Use black sparingly to create shadows and define features.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a slightly textured surface to enhance the brushwork. Acrylics will dry faster, while oils will allow for more blending time.
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