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home·artworks·Winston Churchill
Winston Churchill by Graham Sutherland

plate no. 5611

Winston Churchill

Graham Sutherland, 1954

oilExpressionismportraitportraitfigurefaceyellowneutral background
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for skin tones, and capturing likeness with minimal detail. It also encourages expressive mark-making and understanding of value relationships.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic head shape and features using a pencil or thin brush with diluted paint.

  2. step 02

    Block in the large areas of color: the yellow background, the overall skin tone, and the darker areas of the face.

  3. step 03

    Start building up the skin tones with layers of thin washes, focusing on the subtle shifts in color and value.

  4. step 04

    Use bolder brushstrokes to define the features and add texture to the face.

  5. step 05

    Introduce the darker accents around the eyes, nose, and mouth to create depth.

  6. step 06

    Add the handwritten color notes using a fine brush and dark paint.

  7. step 07

    Refine the edges and details, paying attention to the overall balance of the painting.

  8. step 08

    Add final touches and highlights to enhance the form and create a sense of light.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · cadmium red · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and small amounts of red and umber. Use black sparingly to create shadows and define features.

techniques

  • ·dry brushing
  • ·scumbling
  • ·color layering
  • ·expressive linework
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using too much black, resulting in a muddy or lifeless painting.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle shifts in color and value.
  • →Being too timid with the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre paint
  • ·titanium white paint
  • ·burnt umber paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil or acrylic medium

optional

  • ·palette knife
  • ·painting medium
  • ·retarder

Use a canvas with a slightly textured surface to enhance the brushwork. Acrylics will dry faster, while oils will allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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