apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·William Thompson Walters
William Thompson Walters by Leon Bonnat

plate no. 3919

William Thompson Walters

Leon Bonnat, 1883

oilAcademicismportraitportraitfiguremanclothinghandsbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding value and creating depth with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with dark browns and subtle variations in tone.

  3. step 03

    Establish the main values of the face, focusing on highlights and shadows.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle color shifts.

  5. step 05

    Paint the clothing, using darker values for shadows and lighter values for highlights.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth.

  7. step 07

    Refine the background and clothing, adding texture and detail.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and black by combining raw umber, burnt umber, and ivory black. Use white to create lighter tones and yellow ochre and cadmium red light to add warmth to the skin tones.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the background.
  • →Using too much black and creating a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

Portrait of Monsieur Allard

Portrait of Monsieur Allard

Leon Bonnat