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home·artworks·My daughters, Eva and Jeanne
My daughters, Eva and Jeanne by Diogène Maillart

plate no. 2078

My daughters, Eva and Jeanne

Diogène Maillart, 1876

oil, canvasAcademicismportraitfigureschildrendoglandscapeflowerstrees
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice creating depth and atmosphere in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and the dog.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background, starting with the darkest areas and gradually adding lighter tones to create depth.

  4. step 04

    Refine the figures, paying attention to the details of their faces, clothing, and hair.

  5. step 05

    Add details to the dog, focusing on its fur texture and facial expression.

  6. step 06

    Paint the flowers and foliage in the foreground, varying the colors and textures to create visual interest.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of light.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and polished result.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · ultramarine blue · alizarin crimson · sap green · raw umber

Mix various shades of pink and lavender by combining white, red, and a touch of blue. Create natural greens by mixing yellow ochre and ultramarine blue, adjusting the ratio for different shades.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.

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related guides

oil painting for beginners →how to learn by studying the masters →
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