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home·artworks·Wild Roses
Wild Roses by Nicolae Tonitza

plate no. 0179

Wild Roses

Nicolae Tonitza, 1936

oilExpressionismflower paintingflowersrosesleavesgardenfloralnature
some experience helpful

This painting offers a good opportunity to practice broken color and layering to create depth and texture. Students will also develop skills in observing and representing subtle variations in color and value within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the roses and leaves, focusing on composition.

  2. step 02

    Block in the background with dark greens and browns, establishing the overall value structure.

  3. step 03

    Apply the base color for the roses, using a mid-tone yellow or cream.

  4. step 04

    Add highlights to the roses with lighter yellows and whites, paying attention to the direction of light.

  5. step 05

    Introduce shadows and darker tones to the roses using mixtures of browns, greens, and yellows.

  6. step 06

    Paint the leaves with varying shades of green, adding highlights and shadows to create form.

  7. step 07

    Refine the details of the roses and leaves, adding small strokes of color to create texture and visual interest.

  8. step 08

    Add final touches and adjust values as needed to achieve a cohesive and balanced composition.

color palette

primary · yellow ochre · titanium white · sap green

secondary · burnt umber · cadmium yellow light · ultramarine blue

Mix greens by combining sap green with yellow ochre or ultramarine blue. Create lighter rose tones by adding titanium white to yellow ochre. Use burnt umber to darken greens and create shadows.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·impasto
  • ·color mixing

common pitfalls

  • →Over-blending the colors, resulting in a flat and lifeless appearance.
  • →Failing to establish a strong value structure, leading to a lack of depth.
  • →Ignoring the subtle variations in color and value within the roses and leaves.
  • →Getting lost in details too early, before establishing the overall composition and value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (yellow ochre, titanium white, sap green, burnt umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil or other painting medium
  • ·odorless mineral spirits or turpentine
  • ·rags or paper towels

optional

  • ·cadmium yellow light
  • ·ultramarine blue
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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