
plate no. 2622
Milton Avery, 1957
This painting will help students practice simplifying complex scenes into basic shapes and using a limited color palette to create mood. It also encourages experimentation with visible brushstrokes to add texture and interest.
technical profile
approach — 8 steps
Lightly sketch the horizon line and the basic shapes of the moon, reflection, and clouds.
Block in the dark areas of the sky and water with a mix of blues and browns.
Paint the moon with white, adding subtle hints of blue and gray for shading.
Create the reflection by mirroring the shape of the moon and using similar colors, but slightly lighter and more diffused.
Add the abstract cloud shapes in the sky with a darker blue.
Introduce the dark patches in the water, varying the shades of blue and brown.
Refine the edges of the shapes and add small details to create texture and visual interest.
Let dry and add a thin glaze of transparent blue to unify the painting (optional).
color palette
primary · ultramarine blue · titanium white · burnt umber
secondary · payne's gray · yellow ochre
Mix ultramarine blue and burnt umber to create the dark tones for the sky and water. Use white to lighten the blues for the moon and reflection. Add a touch of yellow ochre to warm up the browns.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to enhance the brushstrokes. Consider using a toned canvas to start with a base color.
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