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home·artworks·When a Little Girl Needs Her Mother Most
When a Little Girl Needs Her Mother Most by Haddon Sundblom

plate no. 5890

When a Little Girl Needs Her Mother Most

Haddon Sundblom, 1928

oil, canvasNew Realismgenre paintingfiguresmotherchildinteriorlampbook
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing light and shadow on skin tones, and creating a sense of intimacy through composition and color choices. It also provides practice in rendering fabric and textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures and objects.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Establish the darkest shadows and brightest highlights.

  4. step 04

    Begin refining the skin tones, paying attention to subtle color variations.

  5. step 05

    Develop the details of the clothing and background, using visible brushstrokes to create texture.

  6. step 06

    Add details to the faces, focusing on capturing the expressions.

  7. step 07

    Glaze thin layers of color to adjust the overall tone and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · alizarin crimson · yellow ochre

secondary · viridian · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and alizarin crimson, with touches of raw umber for shadows. The green robe is a mix of viridian, raw umber, and white. The pink dress is alizarin crimson and white.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overmixing colors and losing vibrancy.
  • →Getting skin tones too flat or muddy.
  • →Neglecting the importance of value contrast.
  • →Overworking details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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