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home·artworks·Grain Elevators
Grain Elevators by Charles E. Burchfield

plate no. 0937

Grain Elevators

Charles E. Burchfield, 1938

oilNew Realismcityscapebuildingsgrain elevatorswaterskyindustriallandscape
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and creating a sense of depth using value and color. It also provides practice in rendering complex architectural forms and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings and water.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the main areas of color, focusing on the values and atmospheric perspective.

  4. step 04

    Begin refining the shapes of the buildings, adding details and textures.

  5. step 05

    Develop the sky and water, paying attention to the reflections and atmospheric effects.

  6. step 06

    Add details to the foreground elements, such as the vegetation and small buildings.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired mood and atmosphere.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · payne's gray · yellow ochre · sap green

Achieve the muted tones by mixing the primary colors with small amounts of the secondary colors. Use white to lighten the values and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Getting the perspective wrong, leading to distorted shapes.
  • →Overworking the details, resulting in a flat and lifeless painting.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color palette.

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oil painting for beginners →how to learn by studying the masters →
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