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home·artworks·Fishing Port, Gloucester
Fishing Port, Gloucester by John French Sloan

plate no. 8670

Fishing Port, Gloucester

John French Sloan, 1916

oil, canvasNew Realismcityscapebuildingswaterboatsskyharborcityscape
some experience helpful

This painting is a good exercise in simplifying complex scenes into basic shapes and practicing color mixing to achieve realistic yet expressive tones. Students will also learn about creating depth through atmospheric perspective and varying brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the harbor, buildings, and sky.

  2. step 02

    Block in the large areas of color: the blue of the sky and water, the greens and browns of the buildings.

  3. step 03

    Establish the darkest darks and lightest lights to create a value structure.

  4. step 04

    Refine the shapes of the buildings and add details like windows and roofs.

  5. step 05

    Add details to the water, including reflections and ripples.

  6. step 06

    Paint the boats and masts, paying attention to their perspective.

  7. step 07

    Add the clouds in the sky, using soft, blended brushstrokes.

  8. step 08

    Make final adjustments to colors and values to create a cohesive painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green

Mix blues and whites for the sky and water, varying the proportions to create different shades. Use yellow ochre and burnt umber for the buildings, adding touches of red or green to create variation. Mix greens from blue and yellow.

techniques

  • ·blocking in
  • ·color mixing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Getting bogged down in details too early.
  • →Not establishing a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the perspective of the buildings and boats.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

A medium-sized canvas (16x20 or 18x24) would be appropriate. Use artist-grade oil paints for best results.

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related guides

oil painting for beginners →how to learn by studying the masters →
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