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home·artworks·Walter Hussey
Walter Hussey by Graham Sutherland

plate no. 9483

Walter Hussey

Graham Sutherland, 1965

oilExpressionismportraitportraitfiguremanfaceprofile
experienced study

Recreating this painting will help students develop skills in expressive brushwork and layering colors to create depth and form. It also provides practice in capturing likeness and conveying emotion through subtle variations in tone and color.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin layering colors, focusing on building up the form of the face and features.

  4. step 04

    Use short, expressive brushstrokes to define the contours and textures.

  5. step 05

    Pay close attention to the subtle variations in skin tone, using a mix of warm and cool colors.

  6. step 06

    Add details to the eyes, nose, and mouth, capturing the likeness of the subject.

  7. step 07

    Refine the background and clothing, using a similar approach of layering and expressive brushwork.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and expressive portrait.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · viridian green · raw sienna

Achieve skin tones by mixing burnt umber, cadmium red, and titanium white, adjusting the proportions to create warm and cool variations. Use ultramarine blue and burnt umber to create dark shadows and subtle greens.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy or flat appearance.
  • →Neglecting the subtle variations in skin tone, leading to a lifeless portrait.
  • →Focusing too much on detail early on, before establishing the overall form and values.
  • →Using overly harsh or contrasting colors, disrupting the harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette knife
  • ·selection of round and flat brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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