apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Walker Bay from Onrus
Walker Bay from Onrus by Maggie Laubser

plate no. 7914

Walker Bay from Onrus

Maggie Laubser, 1922

oilExpressionismmarinaoceanwavesrockssandvegetationmountains
some experience helpful

This painting offers a good opportunity to practice simplifying complex scenes into basic shapes and using color to create depth. Students can also learn to capture the movement of water with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, coastline, mountains, and major rock formations.

  2. step 02

    Block in the sky with a light gray-blue, blending it slightly towards the horizon.

  3. step 03

    Establish the base color of the ocean with a mix of blues and greens, varying the tones to suggest depth.

  4. step 04

    Paint the sand areas with a mix of beige, yellow ochre, and touches of gray.

  5. step 05

    Add the rock formations using browns, grays, and touches of green, paying attention to their shapes and edges.

  6. step 06

    Use white and light blue to paint the waves, capturing their movement with quick, gestural brushstrokes.

  7. step 07

    Add the vegetation in the foreground with greens and browns, using varied brushstrokes to create texture.

  8. step 08

    Refine details and adjust colors as needed, paying attention to the overall balance and harmony of the painting.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · sap green · gray

Mix blues and greens for the ocean, adding white for highlights and depth. Use yellow ochre and burnt umber for the sand and rocks, adjusting the tones with white and gray.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Making the wave highlights too uniform and static.
  • →Not varying the colors enough, resulting in a flat and uninteresting painting.
  • →Ignoring the atmospheric perspective and not creating enough depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·acrylic or oil paints
  • ·round brushes (#4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette to simplify color mixing. Consider using a medium to adjust the consistency of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor