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home·artworks·Vista Do Caminho Para Mariana
Vista Do Caminho Para Mariana by Alberto da Veiga Guignard

plate no. 9620

Vista Do Caminho Para Mariana

Alberto da Veiga Guignard, 1962

oilExpressionismlandscapelandscapemountainsbuildingsskyvillagetrees
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using expressive brushstrokes to convey texture and form. It also provides practice in simplifying complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, hills, and village layout.

  2. step 02

    Block in the sky with a base layer of blues and grays, suggesting cloud formations.

  3. step 03

    Establish the main areas of green for the hills and valleys, varying the shades slightly.

  4. step 04

    Add the basic shapes of the buildings, using simplified forms and colors.

  5. step 05

    Define the winding roads and pathways with thin lines of ochre and brown.

  6. step 06

    Develop the details of the trees and foliage with short, broken brushstrokes.

  7. step 07

    Refine the colors and values, adding highlights and shadows to create depth.

  8. step 08

    Add final details to the buildings and landscape to enhance the overall impression.

color palette

primary · viridian green · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cadmium red light

Mix greens by blending blues and yellows, and use white to lighten values. Create muted tones by mixing complementary colors.

techniques

  • ·layering
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating flat, uniform areas of color without variation.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated and bright.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for expressive brushstrokes. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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