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home·artworks·Vista de Lisboa - Tejo e topo do arco da Rua Augusta
Vista de Lisboa - Tejo e topo do arco da Rua Augusta by Carlos Botelho

plate no. 4646

Vista de Lisboa - Tejo e topo do arco da Rua Augusta

Carlos Botelho

oilExpressionismcityscapecityscapebuildingspalm treeriverskyarchitecture
some experience helpful

This painting provides practice in simplifying complex scenes into basic shapes and using a limited color palette to create a harmonious composition. Students will learn to mix colors to achieve the desired hues and values for the buildings and sky.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, river, and sky, focusing on the overall composition.

  2. step 02

    Block in the large areas of color for the sky, river, and main building masses using diluted washes.

  3. step 03

    Begin adding details to the buildings, such as windows, roofs, and architectural features, using slightly darker values.

  4. step 04

    Mix the various hues for the buildings, paying attention to the subtle color variations.

  5. step 05

    Paint the palm tree, starting with the trunk and then adding the fronds, using a combination of greens and browns.

  6. step 06

    Add the smaller details, such as the railings, boats, and figures, using a fine brush.

  7. step 07

    Refine the edges and shapes of the buildings to create a sense of depth and perspective.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · yellow ochre · titanium white · burnt sienna · ultramarine blue

secondary · sap green · cadmium orange · purple

Mix various shades of yellow ochre with white for the sky and river. Combine burnt sienna and ultramarine blue for the darker building tones. Use white to lighten colors and create pastel hues.

techniques

  • ·color mixing
  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·simplification

common pitfalls

  • →Overcomplicating the details of the buildings.
  • →Using colors that are too saturated.
  • →Not establishing a clear value structure.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·odorless mineral spirits (for oil paint cleanup)

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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