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home·artworks·Vista de Lisboa - Jardim da Estrela (signed Possoz but attributed to Eduardo Viana)
Vista de Lisboa - Jardim da Estrela (signed Possoz but attributed to Eduardo Viana) by Mily Possoz

plate no. 1888

Vista de Lisboa - Jardim da Estrela (signed Possoz but attributed to Eduardo Viana)

Mily Possoz

oilExpressionismcityscapecityscapebuildingstreesgardenskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create a sense of depth and atmosphere. It also encourages simplification of complex forms into basic shapes and textures.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and sky, focusing on composition.

  2. step 02

    Block in the main color areas with broad strokes, starting with the sky and background buildings.

  3. step 03

    Add darker values to define the shadows and create depth in the foliage and buildings.

  4. step 04

    Mix greens and yellows for the foliage, using varied brushstrokes to create texture.

  5. step 05

    Introduce red and brown tones for the buildings and tree trunks, varying the intensity.

  6. step 06

    Add highlights to the foliage and buildings to create a sense of light and form.

  7. step 07

    Refine the details of the architecture and foliage with smaller brushstrokes.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · sap green · raw umber · cerulean blue · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix greens by combining blues and yellows with touches of brown. Achieve muted tones by adding complementary colors to your mixes.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear focal point.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a variety of brush sizes and shapes to create different textures. Consider using a palette knife for applying thick layers of paint.

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related guides

oil painting for beginners →how to learn by studying the masters →
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