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home·artworks·Vissershaven te Oostende
Vissershaven te Oostende by Constant Permeke

plate no. 5029

Vissershaven te Oostende

Constant Permeke, 1913

oilExpressionismmarinaboatsharborfigureswaterskybuildings
some experience helpful

Recreating this painting will help students develop skills in applying thick, textured brushstrokes and mixing muted color palettes to create a sense of atmosphere and depth. It also offers practice in simplifying complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the boats, figures, and buildings.

  2. step 02

    Block in the main color areas with thin washes of paint, establishing the overall value structure.

  3. step 03

    Begin applying thicker paint with visible brushstrokes, building up texture and detail in the foreground.

  4. step 04

    Mix and apply muted colors for the water and sky, blending slightly to create a sense of atmosphere.

  5. step 05

    Add details to the boats and figures, using smaller brushstrokes to define shapes and forms.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add the numbers on the boats with a fine brush.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive painting.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · sap green · burnt sienna

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, green and red) with white or raw umber to desaturate them. Use white to lighten colors and create highlights.

techniques

  • ·impasto
  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (raw umber, titanium white, cerulean blue, yellow ochre, sap green, burnt sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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