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home·artworks·Visão De Um Parque
Visão De Um Parque by Alberto da Veiga Guignard

plate no. 8368

Visão De Um Parque

Alberto da Veiga Guignard, 1947

oilExpressionismlandscapetreesfiguresparkfoliagepathlandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into basic shapes and values. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, path, and figures.

  2. step 02

    Establish the overall color scheme by applying a thin wash of green and brown tones.

  3. step 03

    Begin layering darker greens and browns to define the shapes of the trees and foliage.

  4. step 04

    Add lighter greens and yellows to create highlights and simulate sunlight filtering through the trees.

  5. step 05

    Paint the path using a mix of browns, oranges, and reds, varying the tones to suggest depth.

  6. step 06

    Block in the figures with simple shapes and colors, paying attention to their relative sizes and positions.

  7. step 07

    Refine the details of the trees, foliage, and figures, adding subtle variations in color and texture.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · sap green · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix greens by combining sap green with yellow ochre or ultramarine blue. Create browns by mixing burnt umber with cadmium red light. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·simplification

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and unnatural.
  • →Failing to create a sense of depth and distance.
  • →Making the figures too detailed and distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·varnish

A medium-sized canvas (e.g., 16x20 inches) is recommended. Use good quality paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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