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home·artworks·Virgin of the Annunciation
Virgin of the Annunciation by Antonello da Messina

plate no. 9937

Virgin of the Annunciation

Antonello da Messina, 1473

oil, woodEarly Renaissancereligious paintingfigurereligiousportraitbookhandsveil
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations, as well as rendering realistic skin tones and drapery folds.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown or gray.

  2. step 02

    Lightly sketch the main shapes: the figure, veil, hands, and book.

  3. step 03

    Block in the large areas of color, starting with the dark background and the blue of the veil.

  4. step 04

    Begin layering the skin tones, focusing on the subtle shifts in value and color temperature.

  5. step 05

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the hands, carefully rendering the fingers and knuckles.

  7. step 07

    Paint the book, including the pages and text.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Mix skin tones by blending white, yellow ochre, raw umber, and a touch of burnt sienna. Achieve the blue of the veil by mixing ultramarine blue with white and a touch of black for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth and dimension.
  • →Ignoring the subtle shifts in value and color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface is recommended for blending.

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oil painting for beginners →how to learn by studying the masters →
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