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home·artworks·View of Toulon Harbour
View of Toulon Harbour by Albert Marquet

plate no. 1125

View of Toulon Harbour

Albert Marquet

oilFauvismlandscapeseabuildingstreesskylandscapeharbor
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create subtle variations in tone. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the buildings and landmasses.

  2. step 02

    Block in the sky with a light, muted color, blending the tones to create a soft, cloudy effect.

  3. step 03

    Paint the sea, using horizontal brushstrokes and varying shades of blue and gray to suggest depth and movement.

  4. step 04

    Add the distant landmass, using a darker, muted color to create a sense of distance.

  5. step 05

    Block in the trees and foliage with varying shades of green, using loose brushstrokes to suggest texture.

  6. step 06

    Paint the buildings with a light pinkish-red, adding details such as windows and shadows.

  7. step 07

    Refine the details, such as the waves in the sea and the foliage in the trees.

  8. step 08

    Add final touches and highlights to create depth and dimension.

color palette

primary · sky blue · titanium white · burnt sienna

secondary · sap green · yellow ochre · raw umber

Mix blues and whites for the sky and sea, adding small amounts of sienna to mute the colors. Use sienna and white with a touch of red for the buildings. Mix greens with ochre and umber for foliage.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·blocking in
  • ·loose brushwork
  • ·layering

common pitfalls

  • →Overworking the details, losing the simplicity of the original painting.
  • →Using colors that are too bright or saturated, failing to capture the muted tones of the scene.
  • →Neglecting the atmospheric perspective, resulting in a flat, unrealistic image.
  • →Not blending the colors sufficiently, creating harsh transitions between tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·sky blue oil paint
  • ·burnt sienna oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·round brushes #2, #6

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to simplify color mixing. Pre-mix several values of each color to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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