apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of the Shrewsbury River, New Jersey
View of the Shrewsbury River, New Jersey by John Frederick Kensett

plate no. 4638

View of the Shrewsbury River, New Jersey

John Frederick Kensett, 1859

oilLuminismlandscaperiverboatsskylandscapetreeswater
some experience helpful

Recreating this painting would help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and realism. It also provides practice in rendering reflections and capturing the stillness of water.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the landmass and boats.

  2. step 02

    Establish the base color for the sky, blending from a slightly darker tone at the top to lighter near the horizon.

  3. step 03

    Paint the distant landmass, focusing on its overall shape and value, using darker greens and browns.

  4. step 04

    Block in the water with a base color, considering the reflections of the sky and land.

  5. step 05

    Add details to the boats, paying attention to the shapes of the sails and hulls.

  6. step 06

    Refine the reflections in the water, using vertical strokes and slightly blurred edges.

  7. step 07

    Add the foreground details like the reeds and grasses, using a variety of greens and browns.

  8. step 08

    Add final highlights and details to the boats and water to create a sense of realism.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · sap green · cadmium yellow light

Achieve the subtle sky tones by gradually mixing ultramarine blue and white. Use burnt umber and yellow ochre for the land and water, adjusting the proportions to create variations in tone.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·blending
  • ·rendering reflections
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast, losing the subtle atmospheric effect.
  • →Making the reflections too sharp and defined.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Sunset with Cows

Sunset with Cows

John Frederick Kensett

Hudson River

Hudson River

John Frederick Kensett

Jersey Marshes

Jersey Marshes

Martin Johnson Heade

Mount Lafayette, New Hampshire

Mount Lafayette, New Hampshire

David Johnson

Placid Lake, Adirondacks

Placid Lake, Adirondacks

David Johnson

The Morteratsch Glacier, Upper Engadine Valley, Pontresina

The Morteratsch Glacier, Upper Engadine Valley, Pontresina

Albert Bierstadt

Western Kansas

Western Kansas

Albert Bierstadt

Sunrise in Nicaragua

Sunrise in Nicaragua

Martin Johnson Heade