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home·artworks·View of the Beach at Beverly, Massachusetts
View of the Beach at Beverly, Massachusetts by John Frederick Kensett

plate no. 8591

View of the Beach at Beverly, Massachusetts

John Frederick Kensett, 1860

oilLuminismlandscapebeachoceanskyrocksfiguresboats
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and realism. It also provides practice in rendering realistic textures of sand, water, and rocks.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with a light, muted blue-gray, blending smoothly.

  3. step 03

    Establish the water with varying shades of blue and green, reflecting the sky.

  4. step 04

    Paint the distant landmasses with progressively lighter and bluer tones to create atmospheric perspective.

  5. step 05

    Add the rocky outcroppings, paying attention to the subtle variations in color and texture.

  6. step 06

    Paint the beach with warm, sandy tones, adding shadows to create depth.

  7. step 07

    Add the figures and boats, keeping them small and in proportion to the landscape.

  8. step 08

    Refine details and add highlights to complete the painting.

color palette

primary · ultramarine blue · titanium white · raw umber · yellow ochre

secondary · burnt sienna · cadmium yellow light · ivory black

Mix muted blues and greens for the water by combining ultramarine blue, raw umber, and titanium white. Achieve sandy beach colors by mixing yellow ochre, raw umber, and titanium white. Create atmospheric perspective by lightening colors with white and adding a touch of blue as objects recede into the distance.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overly bright or saturated colors can detract from the painting's subtle mood.
  • →Failing to establish a clear sense of depth can make the painting appear flat.
  • →Overworking details can make the painting look stiff and unnatural.
  • →Ignoring the subtle color variations in the sand and water can result in a monotonous effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a light wash of raw umber can help establish a warm base.

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oil painting for beginners →how to learn by studying the masters →
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