
plate no. 3518
This painting offers a good opportunity to practice layering colors and creating depth through atmospheric perspective. Students can also learn how to simplify complex shapes into basic forms.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains, lake, and foreground trees.
Block in the sky and water with diluted blues and whites.
Add the darker greens of the mountains, varying the hues to create depth.
Paint the distant village with small strokes of reds, whites, and browns.
Begin layering the greens of the foreground trees, using darker shades for shadows and lighter shades for highlights.
Add the tree trunks and branches with thin brushes and brown paint.
Paint the sailboats with white and gray, adding reflections in the water.
Refine details and add final highlights and shadows to create depth and dimension.
color palette
primary · ultramarine blue · viridian green · cadmium yellow · titanium white
secondary · burnt sienna · cadmium red
Mix greens by combining blue and yellow, and vary the shades by adding white or burnt sienna. Achieve the water color by mixing ultramarine blue with white and a touch of green.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for better paint adhesion and texture.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor