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home·artworks·View of a Street at Hatvan
View of a Street at Hatvan by Bela Czobel

plate no. 1573

View of a Street at Hatvan

Bela Czobel, 1937

oilExpressionismcityscapebuildingstreesstreetcityscapehousessky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using expressive brushstrokes to convey texture and form. It also provides practice in color mixing to achieve muted and harmonious tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and street, focusing on overall composition.

  2. step 02

    Establish the main color blocks for the sky, buildings, and ground using thin washes.

  3. step 03

    Begin adding details to the buildings, defining rooflines and window shapes.

  4. step 04

    Develop the trees with short, broken brushstrokes, varying the greens and browns.

  5. step 05

    Refine the street and sidewalk areas, adding subtle variations in tone and texture.

  6. step 06

    Add small figures and details to suggest scale and activity.

  7. step 07

    Adjust the overall color balance and value contrast to create a cohesive and atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and form.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · sap green · raw umber · cadmium red

Achieve the muted tones by mixing complementary colors (e.g., a touch of red in the green for the trees) and using white to soften the intensity of the colors.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating overly saturated colors that clash with the muted palette.
  • →Failing to establish a clear focal point in the composition.
  • →Not varying the brushstrokes enough to create texture and visual interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the effect of the brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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