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home·artworks·View from St. Giorgio Marina
View from St. Giorgio Marina by John Miller

plate no. 7789

View from St. Giorgio Marina

John Miller

oilContemporary Realismcityscapewaterboatslighthousebuildingsskycityscape
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and creating atmospheric perspective. It also provides practice in capturing the subtle color variations in a cityscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: lighthouse, boats, and buildings in the background.

  2. step 02

    Block in the sky with a light blue, blending it softly.

  3. step 03

    Establish the basic water color, a mix of blues and purples, and indicate the main reflections.

  4. step 04

    Paint the lighthouse, focusing on its form and the subtle shadows.

  5. step 05

    Add the boats, paying attention to their shapes and colors.

  6. step 06

    Develop the background buildings with soft, muted colors to create depth.

  7. step 07

    Refine the reflections in the water, adding highlights and darker tones.

  8. step 08

    Add final details, such as the masts of the boats and the details on the lighthouse.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · sap green

Achieve the muted tones by mixing complementary colors. Use white to lighten and soften colors for the sky and distant buildings. Mix blues and browns for the water.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early
  • →Making the colors too saturated
  • →Ignoring the reflections in the water
  • →Not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for a good balance between texture and smoothness. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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