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home·artworks·Vera Cuningham in a Chair
Vera Cuningham in a Chair by Matthew Smith

plate no. 5934

Vera Cuningham in a Chair

Matthew Smith, 1926

oilFauvismportraitfigureportraitchairdressheadscarfwoman
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create form and mood. It also encourages simplification of shapes and capturing the essence of the subject rather than precise details.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair using light pencil lines.

  2. step 02

    Block in the large areas of color, focusing on the overall color relationships.

  3. step 03

    Develop the color variations within each area, mixing colors directly on the canvas.

  4. step 04

    Use bold, visible brushstrokes to define the forms and create texture.

  5. step 05

    Pay attention to the edges of shapes, varying the sharpness and softness.

  6. step 06

    Add details to the face and hands, keeping the overall impressionistic style.

  7. step 07

    Refine the background, ensuring it complements the figure and doesn't distract.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making final adjustments.

color palette

primary · cadmium red · cadmium yellow · ultramarine blue

secondary · viridian · burnt umber · titanium white

Mix greens by combining blue and yellow, and use white to create lighter tints. Achieve the darker tones by mixing burnt umber with blue or red.

techniques

  • ·alla prima
  • ·broken color
  • ·expressive brushwork
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and losing the overall impression.
  • →Using colors straight from the tube without mixing them.
  • →Not paying attention to the color relationships between different areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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