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home·artworks·Venice Dogana
Venice Dogana by Oskar Kokoschka

plate no. 2584

Venice Dogana

Oskar Kokoschka, 1948

oilExpressionismcityscapecityscapewaterboatsbuildingsskyVenice
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing the essence of a scene rather than precise details. It also encourages experimentation with color mixing and layering to create depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings and boats.

  2. step 02

    Block in the main areas of color: sky, water, buildings, and boats, using thin washes.

  3. step 03

    Start adding layers of color to build up depth and create variations in tone.

  4. step 04

    Use bold, visible brushstrokes to define the shapes and add texture to the water and buildings.

  5. step 05

    Mix colors directly on the canvas to achieve a more spontaneous and expressive effect.

  6. step 06

    Pay attention to the light and shadow, and use contrasting colors to create highlights and shadows.

  7. step 07

    Add details to the boats and buildings, but avoid being too precise.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making adjustments as needed.

color palette

primary · cerulean blue · yellow ochre · burnt sienna · titanium white

secondary · cadmium red · viridian green · ultramarine blue

Mix blues and yellows for the water, using varying proportions to create different shades of green. Use white to lighten colors and create highlights. Mix red and yellow for the buildings.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-wet blending
  • ·scumbling
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the spontaneity of the painting.
  • →Using colors that are too clean and not mixing them enough.
  • →Creating a composition that is too symmetrical or static.
  • →Not paying attention to the light and shadow, and creating a flat, uninteresting painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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