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home·artworks·Venice - Boats on the Dogana
Venice - Boats on the Dogana by Oskar Kokoschka

plate no. 9078

Venice - Boats on the Dogana

Oskar Kokoschka, 1924

oilExpressionismcityscapeboatswatercityscapeskybuildingsharbor
some experience helpful

Recreating this painting will help students develop skills in loose, expressive brushwork and capturing the essence of a scene rather than precise detail. It also encourages experimentation with color mixing to achieve atmospheric effects.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition: horizon line, major buildings, and boat placements.

  2. step 02

    Block in the sky with broad strokes of blues and whites, allowing for some visible brushwork.

  3. step 03

    Establish the water mass using a mix of blues, greens, and browns, varying the tones to suggest depth and movement.

  4. step 04

    Define the distant buildings with simplified shapes and muted colors, focusing on their overall form.

  5. step 05

    Add the boats, using darker tones for shadows and lighter tones for highlights, keeping the details minimal.

  6. step 06

    Introduce small highlights and reflections on the water surface to create a sense of light and atmosphere.

  7. step 07

    Refine the sky and water transitions, softening some edges and adding subtle color variations.

  8. step 08

    Add final details to the boats and buildings, focusing on key features that define their character.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · viridian green

Mix blues and whites for the sky, adding small amounts of yellow ochre for warmth. Create the water by blending blues, greens, and browns, varying the proportions to achieve different shades. Use burnt sienna and yellow ochre for the buildings, mixed with raw umber for shadows.

techniques

  • ·expressive brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·color mixing for atmospheric perspective
  • ·simplified shapes

common pitfalls

  • →overworking details
  • →using too much detail
  • →muddying the colors
  • →not establishing a clear focal point
  • →uneven brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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