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home·artworks·Valley of Fire
Valley of Fire by Erin Hanson

plate no. 1937

Valley of Fire

Erin Hanson, 2009

oilExpressionismlandscaperockslandscapeskydesertvegetationarches
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve warm and cool tones and practice applying bold, expressive brushstrokes to define form and texture. It's also a good exercise in understanding light and shadow in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition of the rocks and sky.

  2. step 02

    Block in the large areas of color for the sky, using a gradient from yellow to orange.

  3. step 03

    Establish the main shadow areas on the rocks using darker reds and purples.

  4. step 04

    Apply highlights to the rocks with lighter shades of orange and yellow.

  5. step 05

    Add details to the rocks, defining the individual shapes and textures with varied brushstrokes.

  6. step 06

    Paint the vegetation in the foreground with small, quick strokes of green and yellow.

  7. step 07

    Refine the edges and details, adjusting the values and colors as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · cadmium yellow · cadmium orange · burnt sienna · alizarin crimson

secondary · ultramarine blue · sap green · titanium white

Mix oranges by combining yellow and red. Use blue and red to create purples for shadows. Add white to lighten colors and create highlights. Mix small amounts of green with browns to create the vegetation.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·directional brushstrokes

common pitfalls

  • →Over-blending the colors, which can result in a muddy appearance.
  • →Not varying the brushstrokes enough, leading to a flat and uninteresting texture.
  • →Ignoring the importance of value contrast, which can make the painting lack depth.
  • →Failing to accurately capture the warm and cool tones of the rocks and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (cadmium yellow, cadmium orange, burnt sienna, alizarin crimson, ultramarine blue, titanium white)
  • ·palette
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use good quality oil paints for best results. Consider using a medium to speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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