
plate no. 6367
Beauford Delaney, 1945
Recreating this painting will help students practice impasto techniques and learn how to build form with thick layers of paint. It also provides an opportunity to explore color mixing and expressive brushwork.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure on the canvas.
Block in the main areas of color using thin washes.
Start building up the background with thick impasto strokes, varying the colors slightly.
Add layers of paint to the face, focusing on capturing the light and shadow.
Define the details of the clothing, using a palette knife to create texture.
Refine the features of the face, paying attention to the eyes and mouth.
Add highlights and shadows to create depth and dimension.
Apply final touches and adjustments to the painting.
color palette
primary · ivory black · burnt umber · titanium white
secondary · cadmium red · yellow ochre · viridian green
Mix various shades of brown and black for the background and clothing. Use white to lighten the skin tones and add highlights. Mix greens and blues for the clothing and background details.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or larger) is recommended.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor