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home·artworks·Untitled (Montmartre)
Untitled (Montmartre) by Pierre Daura

plate no. 9326

Untitled (Montmartre)

Pierre Daura, 1917

oilExpressionismcityscapebuildingsstreetcityscapearchitectureskylamp post
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes and values. It will also develop skills in color mixing and creating a sense of depth through tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the main areas of color with thin washes, starting with the sky and distant buildings.

  3. step 03

    Gradually build up the values, focusing on the light and shadow patterns.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using small brushstrokes.

  5. step 05

    Refine the street and add the lamp post, paying attention to its placement and proportions.

  6. step 06

    Adjust the overall color harmony and value contrast to create a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to enhance the focal point.

  8. step 08

    Let dry and add a varnish layer.

color palette

primary · raw umber · ultramarine blue · titanium white · burnt sienna

secondary · yellow ochre · cadmium red light

Mix raw umber and ultramarine blue with white for the cool grays of the sky and distant buildings. Use burnt sienna and yellow ochre for the warmer tones of the buildings in the foreground. Add small amounts of cadmium red to create variations in the browns.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to establish a strong value structure.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the perspective lines and creating a distorted composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to allow for the dry brush technique. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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