apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Untitled (Excavation)
Untitled (Excavation) by Alexander Calder

plate no. 3010

Untitled (Excavation)

Alexander Calder, 1924

oilAmerican Realismcityscapeconstructionexcavationcranecityscapebuildingsurban
some experience helpful

Recreating this painting will help students develop skills in depicting perspective in complex scenes and using a limited palette to create a sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and perspective lines of the excavation and buildings.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Establish the darkest shadows within the excavation pit to create depth.

  4. step 04

    Add the details of the crane and the wooden structures, paying attention to their angles and proportions.

  5. step 05

    Refine the shapes of the buildings in the background, simplifying their details.

  6. step 06

    Introduce subtle color variations within the larger color blocks to create interest.

  7. step 07

    Add highlights to suggest light and form, particularly on the crane and the edges of the excavation.

  8. step 08

    Review the painting and make any necessary adjustments to values, colors, and details.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · payne's gray · yellow ochre

Mix raw umber and white for the concrete and earth tones. Use burnt sienna for the crane and wooden structures. Payne's gray can be used to darken shadows and create a sense of atmosphere.

techniques

  • ·blocking
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting the perspective wrong in the excavation pit.
  • →Overworking the details and losing the overall impression.
  • →Using colors that are too saturated.
  • →Failing to establish a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for some visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Common Work

Common Work

Albrecht Anker

Untitled (Logging Scene)

Untitled (Logging Scene)

Alexander Calder

Mojave Bus Station

Mojave Bus Station

John Register

Restaurant

Restaurant

John Register

Ship in the Bay

Ship in the Bay

Robert Henri

North Greenland Fiord, Gray Day

North Greenland Fiord, Gray Day

Rockwell Kent

Road to Asgaard   Adirondack

Road to Asgaard Adirondack

Rockwell Kent

Todd Shipyard

Todd Shipyard

Alexander Calder